This recording brings together a young cast in a performance bristling with energy. The sound is overwhelming in its impact. The secret of the overwhelming success of Carl Orff’s Carmina Burana lies in its skillful and apparently simple mixture of archaic rhythms and sounds (derived from the composer’s convictions about what ancient music must have sounded like) with the sort of music that was actually performed at medieval mystery plays.
Format : Vinyl Record
1 Lp
| 1 | Fortuna Imperatrix Mundi | |
| A1.a | O Fortuna | |
| A1.b | Fortune Plango Vulnera | |
| 4 | I Primo Vere | |
| A2.a | Veris Leta Facies | |
| A2.b | Omnia Sol Temperat | |
| A2.c | Ecce Gratum | |
| 8 | Uf Dem Anger | |
| A2.d | Tanz | |
| A2.e | Floret Silva Nobilis | |
| A2.f | Chramer, Gip Die Varwe Mir | |
| A2.g | Reie | |
| A2.h | Swaz Hie Gat Umbe | |
| A2.i | Chume, Chum Geselle Min | |
| A2.j | Swaz Hie Gat Umbe | |
| A2.k | Were Diu Werlt Alle Min | |
| 17 | II In Taberna | |
| B1.a | Estuans Interius | |
| B1.b | Olim Lacus Colueram | |
| B1.c | Ego Sum Abbas | |
| B1.d | In Taberna Quando Sumus | |
| 22 | III Cour D’amours | |
| B2.a | Amor Volat Undique | |
| B2.b | Dies, Nox Et Omnia | |
| B2.c | Stetit Puella | |
| B2.d | Circa Mea Pectora | |
| B2.e | Si Puer Cum Puellula | |
| B2.f | Veni, Veni, Venias | |
| B2.g | In Trutina Mentis Dubia | |
| B2.h | Tempus Est Iocundum | |
| B2.i | Dulcissime | |
| 32 | Blanziflor Et Helena | |
| B2.j | Ave Formosissima | |
| 34 | Fortuna Imperatrix Mundi | |
| B2.k | O Fortuna |
